
Vocal Microphone Provenance and preamps
Sony C800G
The Sony C800G that lives at Lovenest Studios was made in 2006 and was originally owned by a Sony employee.
That gentleman handpicked a vintage power supply that he found best suited to pair with the mic, and the power cable that he chose was also an older version.
There is also a 2024 version of the cable that I tend to use for crisper highs and air.
Unfortunately that gentleman was overtaken by cancer and sold it at the request of his family before he passed away. The buyer is who I got it from.
Installed in the mic and the power supply are three NOS tubes modded with gold plating and with the ohm rate changed to be higher and match the Sony.
The shock mount is an original U47 model, more reliable than the stock Sony SM.
I use a Kaotica Eyeball made for the C800G as a windscreen.
I do not have proof of this, but I was told that this mic was used by Derek “Mixed by Al” Ali for vocals by Kendrick Lamar and Snoop Dogg, and also used by Chris Athens whose credits include Drake, Mac Miller and Aerosmith.
Vintage Neumann U87
The Neumann U87 at Lovenest Studios is a vintage 1968 model originally purchased by Bob Both, who was James Brown’s personal engineer and production supervisor, and the mic was used for dozens of James Brown’s vocals in the studio from 1973 through 1977 at A & R Recording and Sound Ideas studio in NYC.
I have a letter signed by Bob Both as to the authenticity of this provenance and a signed photo of him with James Brown.
Soyuz 017 Large Diaphragm Condensor Tube Mic
This Soyuz mic was designed in the U.S. and handmade and machined in Tula, a city famous for machining in Russia. The body is crafted from one solid piece of brass using lathes that were purchased from the Kalashnikov factory and modified for this purpose.
The capsule is a hand-made and hand-tuned 34mm gold-sputtered device based on the design of the U67’s K67 capsule. and the transformer is proprietary and hand wound in-house,
The mic utilizes a 6ZH1P military grade pentode tube.
The mic has a smooth, open, detailed, and rich sound offering a combination of the U47’s robust low-end, the U67’s balanced midrange, and the 251’s clear, airy high-frequencies.
The Golden Age Project Premiere GA-47 mkII RP
The Golden Age Project GA-47 is a boutique, hand-built large-diaphragm tube condenser microphone inspired by the legendary Neumann U-47 microphone.
It’s known for its warm, sweet, and authoritative sound, making it a versatile “all-rounder” for vocals, drums, guitars, and acoustic instruments. The GA-47 utilizes high-quality, carefully selected components, including a vintage-style tube, high-end capacitors, and point-to-point wiring, to achieve a premium, U-47-like sound.
The mic has a smooth, open, detailed, and rich sound offering a combination of the U47’s robust low-end, the U67’s balanced midrange, and the 251’s clear, airy high-frequencies. It has the vintage U47 thickness in the low mids and a tiny more mid bite. I’ve found that the GA-47 suits certain singers better than any of the others.
Preamplifiers
Neve 1073
This preamp needs no introduction. It’s a classic, and there are two built in to the Neve 8424 Console at Lovenest Studios.
Audioscape Golden 58 Dual Channel Tube Preamp
A limited edition, only 300 made due to the scarcity of the components. 4 NOS input transformers and six 5879 tubes(hence the name Golden 58), which is the US military equivalent of the EF86 tube used in famous British preamps of yore. Very much the American answer to those Classic preamps from across the pond, the Tele V series and 47 style pre’s, with a few tasteful upgrades to bring it into the modern age.
https://www.audio-scape.com/legacy-products/golden58 for more information.
SPL Channel One MK3
The SPL Channel One MK3 solid state mono channel strip is a crisp and polished preamp with a dedicated valve‑based saturation processor built in, an SPL transient designer, and a de-esser which operates in an unusual way. Instead of selecting the target frequency range (two choices on the unit) and using dynamic eq or compression to treat the signal, the Channel reverses the polarity and blends it back into the signal, effectively eliminating the sibilance.
The channel strip next has a compressor built in and then an eq with low and high mid frequencies and an air band. Both the tube saturation and the eq can be placed in two different places in the signal flow. It’s a classy and expensive sounding piece of kit!
https://www.youtube.com/watch?v=r1p5hMp6-i4 for more information.
